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DANICA PHELPS
b. 1971, New York, NY
lives and works in Brooklyn, NY
Education
MFA, Rhode Island School of Design, Providence, RI 1995
Skowhegan School of Painting and Sculpture, Skowhegan, ME 1994
Hampshire College, Amherst, MA 1993
Selected Solo Exhibitions
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| 2008 |
Kavi Gupta Gallery, Chicago, IL
Getting Ready, Dina4 Projekte, Munich, Germany
This Time Last Year, Ritter/Zamet, London, UK
Material Recovery, Zach Feuer Gallery, New York, NY
Saving Time, Thirtyseven degrees, Sydney, Australia
Stripe Factory, Sister, Los Angeles, CA
Saving Time, Galería Nieves Fernandez, Madrid, Spain
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| 2007 |
Stripe Factory, Rotwand, Zurich, Switzerland |
| 2006 |
drawing flowers, Dina4 Projekte, Munich, Germany
Stretch, Sister Gallery, Los Angeles, CA
Two Takes, with Debi Ray-Chaudhuri, Allston Skirt Gallery, Boston, MA
India: Two Views, project room with Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago, IL
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| 2005 |
Wake, Zach Feuer Gallery (LFL), New York, NY
Integrating Sex Into Everyday Life, Galerie Schütte, Essen, Germany
Staub gfzgk*, Zurich, Switzerland
Getting My Money's Worth, Ritter/Zamet, London, UK
2 D.s – w/ Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago, IL
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| 2004 |
Integrating Sex Into Everyday Life, Allston Skirt Gallery, Boston, MA
Writers Trade, Falconer Gallery, Grinnell, Iowa
Judi Rotenberg Gallery, Boston, MA
Sister Gallery, Los Angeles, CA
Galerie Hubert Winter, Vienna, Austria
Art House, Austin, TX
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| 2003 |
Integrating Sex into Everyday Life, LFL Gallery, New York
Ten Day Trade, OR Gallery, Vancouver
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| 2002 |
Walking 9-5 Amsterdam, Annet Gelink Gallery, Amsterdam, The Netherlands
New Drawings, Galerie Schütte, Essen, Germany
Artist, Collector, Curator, Spy, LFL Gallery, New York
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| 2001 |
Trade Two, LFL Gallery, New York, NY |
| 2000 |
From Barcelona to Krems, Galerie Stadpark, Krems, Austria
2nd Generation, Herter Gallery: UMASS, Amherst, MA
Bill Trip, Maine Center for Contemporary Art, Rockport, ME
Bill Trip, Project Room, Roberts & Tilton, Los Angeles, CA
Walking: From Los Angeles to San Fransisco, Michael Martin Gallery, San Francisco, CA
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| 1998 |
Funny Money, Jack Tilton Gallery, New York, NY |
| 1994 |
A Housewife at Work, Sol Koffler Gallery, RISD, Providence, RI |
Selected Group Exhibitions
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| 2008 |
Sign/Age: Lost in the Supermarket, Armand Bartos Fine Art, New York, NY
When a clock is seen from the side it no longer tells the time, Johann König, Berlin, Germany
The Enterprise of Art, Palazzo delle Arti Napoli, Naples, Italy
Linear Perspectives, Center for Maine Contemporary Art, Rockport, ME
Collecting & Collectivity, Conduit Gallery, Dallas TX
Slightly Unbalanced, Chicago Cultural Center, Chicago, IL; Museum London, Ontario, Canada; Huntington Museum of Art, Huntington, WV; Paul and Lulu Hilliard University Art Museum, Lafayette, LA; Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond, VA
A Matter of Time, Andrea Meislin Gallery, New York, NY
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| 2007 |
Perspectives 159: Superconscious, Automatisms Now, Contemporary Arts Museum, Houston, TX
Skirting the Line: Conceptual Drawing, The New Center for Contemporary Art, Louisville, KY
Drawing is a verb, Colecção Madeira Corporate Services, Porta 33, Itha da Porta, Portugal
The Price of Everything… Perspectives on the Art Market, City University of New York Graduate Center, New York. Curated by the Whitney Museum Independent Study Program
Ceci n’est pas… (this is not….), Sara Melltzer Gallery, New York, NY
Tease, Mireille Mosler Ltd., New York, NY
Warhol & ..., Kantor/Feuer, Los Angeles, CA
Summer Group Show, Galleria Glance, Turin, Italy
Minimalism and Applied, DaimlerChrysler Contemporary, Berlin, Germany
Don’t Look: Contemporary Drawings from an Alumna’s Collection,
Martina Yamin, Class of 1958, Davis Museum and Cultural Center at Wellesley College, Wellesley, MA
A Great Delicacy, Taylor De Cordoba Gallery, Los Angeles, CA
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| 2006 |
Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
I’m Busy, GAK Gesellschaft fur Aktuelle Kunst, Bremen, Germany
Particulate Matter, Mills College Art Museum, Oakland, CA
Walking & Falling, Magasin 3 Konsthall, Stockholm, Sweden
Skirting the Line: Conceptual Drawing, DePauw University, Greencastle, IN
Studio Guenzani, Milan, Italy
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| 2005 |
The General's Jamboree, Guild and Greyshkul, New York, NY
Dating Data, Josee Bienvenu Gallery, New York, NY
Linien Zeichnung, Dina4 Projekte, Munich, Germany
22 Anniversary, Jack Tilton Gallery, New York, NY
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| 2004 |
Emotions, Guild & Greyshkul, New York, NY
California Earthquakes, Daniel Reich Gallery, New York, NY
Wiener Linien, Wien Museum, Vienna, Austria
Dessin et Des Autres, Catherine Bastide, Brussels, Belgium
Erotic Drawings, Aldrich Museum of Art, Ridgefield, CT
Self Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA
Open, Brooklyn Museum of Art, Brooklyn, NY
Home, D.U.M.B.O. Arts Center, Brooklyn, NY
Art As Autobiography, Rare Gallery, New York, NY
Sexy Beast, Ethan Cohen Fine Art, New York, NY
9th Drawing Invitational, Arkansas Arts Center, Little Rock, AR
Kunsthalle Exnergasse, Vienna, Austria
Neoqueer, Center of Contemporary Art, Seattle, OR
Brooklyn Museum of Art, Brooklyn, NY
Farnsworth Museum of Art, Rockland, ME
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| 2003 |
I’m nothing with out you, Platform Gallery, Istanbul, Turkey
Frankenstein, Tanya Bonakdar Gallery, New York, NY
Fresh Meat, Cepa Gallery, Buffalo, NY
Living Inside the Grid, New Museum of Contemporary Art, New York
For the Record: Drawing Contemporary Life Vancouver Art Gallery, Canada
Walking Rhetorics, Galerie Hubert Winner, Vienna, Austria
New York Drawings, Samuel Harn Museum of Art, University of Florida, Gainesville
Subscribe, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York
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| 2002 |
Bootleg Identity, Caren Golden Fine Art, New York
Special Needs, Verein fur Bildende Kunst, Graz, Austria
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| 2001 |
Domestic Culture, ICA at MECA, Portland, ME
Contemporary Narratives, Skidmore College, Saratoga Springs, NY
Brooklyn!, ICA at Palm Beach, Palm Beach, Fl
Going, Urban Institute of Contemporary Art, Grand Rapids, MI
No where Fast, Lizebeth Oliveria Gallery, Oakland, CA
In Transit, Vacancy Gallery, Bronx, NY
Inside the City, Gallery 400, UIC, Chicago, Ill.
Another Cusp, Gallery of Colgate University, Hamilton, NY
Let’s Get to Work, (travel), Susquehanna Art Museum, Harrisburg, PA
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| 2000 |
Vida Politica, SALA MONTCADA “la Caixa”, Barcelona, Spain
To Be Continued... Art in General, Bellwether, Parlor Projects, Brooklyn, NY
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| 1999 |
Time and Duration, Angels Gallery, Santa Monica, CA
100 Drawings, PS1, New York, NY
Gallery Artists, Jack Tilton Gallery, New York, NY
Document, Hampshire College, Amherst, MA |
| 1998 |
Inventory, White Columns, New York, NY |
| 1995 |
The Body Politic, Maine Coast Artists, Rockport, ME (2 person show)
Subjectifying Objects, Mobilizing Objects, (2 person show) Artemesia Gallery
These Fantasies are Normal, HERE Gallery, New York, NY |
Awards
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| 2005 |
John Jones Art Prize, Zoo Art Fair, London, UK |
| 2001 |
New York Foundation for the Arts: Individual Artists Grant |
| 1998 |
Rema Hort Mann emerging artist grant |
| 1994 |
Zorach Fellowship to attend Skowhegan |
Collections
Arkansas Arts Center, Little Rock, AR
Colecção Madeira Corporate Services, Itha da Porta, Portugal
Daimler Art Collection, Berlin, Germany
Farnsworth Art Museum, Rockland, ME
Magasin 3 Konsthall, Stockholm, Sweden
University of New Mexico Art Museum, Albuquerque, NM
Wien Museum, Vienna, Austria |
Bibliography: Reviews
O’Neill-Butler, Lauren. “Danica Phelps,” Artforum, October 2008: 385.
Rosenberg, Karen. “Danica Phelps,” The New York Times, July 11, 2008.
Churner, Rachel. “Critic Picks: Danica Phelps,” artforum.com, July 2008.
Killeen, Michael. “Art by the Inch,” Bloomberg.com, July 1, 2008.
Cohan, David. “The Erotic, the Political, and the Personal,” The New York Sun, June 26, 2008: 25.
Pelczer, Eva. “Danica Phelps: Painted” NY Arts, July/August 2008.
Ollman, Leah. “Danica Phelps at Sister,” Art in America, June / July 2008: 203.
Coburn, Taylor. “Details: Danica Phelps” Artreview, June 2008.
Gordon, Ginny. “Danica Phelps: Saving Time,” Time Out Sydney, June 4-10, 2008.
Hapgood, Susan. “Slightly Unbablanced” Slightly Unbalanced Catalogue, Independent Curators International, 2008: 43-45, 68.
Falconer, Morgan. “Zach Feuer,” Art World, April/May 2008.
Ollman, Leah. “Danica Phelps reveals life’s details in stripes” Los Angeles Times, March 7, 2008.
Friedrich, Kristin. “The ‘Don’t Miss’ List” Los Angeles Downtown News, Feb. 18, 2008.
Noah Simblist and Charissa N. Terranova, “Collecting and Collectivity,” Art Lies, Winter 2007: 66 – 71.
Starry LeBlanc, Caroline. “Superconscious, Automatisms Now” Houstonist, December 13, 2007.
Von Burg, Dominiique. “Zurich: Danica Phelps in der Galerie Rotwand” Kunstbullentin, December 2007.
Douglas, Sarah. “Show Me the Money” Art+Auction Nov. 2007: 212-217.
Steele, Robin. “’Starving Artist’ keeps tabs on her dinner and her art” Brown Daily Herald, September 28, 2007.
“Slightly Unbalanced” ICI, 2007: 12.
“Three exhibitions at CMCA explore worlds beyond” Village Soup, December 31, 2006
Ollman, Leah. “The Art of Credits and Debits” Los Angeles Times, May 5, 2006: E26.
Roberts, Bryony. “Splish Splash”, The L Magazine, September 28 – October 11, 2005: 57.
“The Autumn Art Scene; Top 10 shows to see right now” The L Magazine Sep. 28 – Oct. 11, 2005.
Saltz, Jerry. “Ups and Downs” The Village Voice, September 23, 2005.
Cohen, David. “Gallery-Going” The New York Sun, September 22, 2005.
Smith, Roberta, “Danica Phelps” The New York Times, September 9, 2005.
Glueck, Grace. “Airborne Sex and Wicked Wallpaper: Sensual Samplings” The New York Times, July 29, 2005.
Hill, Christine. “Artists on Artists: Christine Hill on Danica Phelps,” Bomb Magazine, Spring 2005, No. 91: 14-15.
Ross, Lauren. “’Dating Data’ at Josee Bienvenu Gallery,” Art on Paper, 2005.
Schedlmayer, Nina. “Galerie Hubert Winter: Danica Phelps.” Art Magazine Kunstnet.at, November 3, 2004.
Richard, Frances. “Danica Phelps.” Artforum, November 2003: 192.
“Kunst Raum: Galerie Hubert Winter: Leib.” Die Presse.com, October 28, 2004: 39.
Ode, Susan. “Words without Varnish.” Review (Faulconer Gallery Magazine), September 2004: 57.
Snider, Suzanne, “Interview: Danica Phelps”, The Believer July 2004, Vol. 2, No. 7
Saltz, Jerry. “Termite Theory.” The Village Voice, June 23-29, 2004: 89.
Cohen, David. “As Sprawling as Brooklyn Itself.” The New York Sun, April 22, 2004.
“Self-Evidence: Identity in Contemporary Art.” Artdaily.com, April 8, 2004.
Leffingwell, Edward. “Danica Phelps at LFL.” Art in America, April 2004: 127-128.
Giuliano, Charles. “Making Their Mark.” Maverick Arts, February 22, 2004, Issue 128.
Lopata, James A. “Who Are You? Who? Who? Who? Who?” In Newsweekly, Boston, February 18, 2004: 26-27.
Foster, Catherine, “Her art is out of the ordinary.” The Boston Globe, February 13, 2004.
McLaughlin, Nina. “The Artist As Actuary.” The New York Times , February 6-12, 2004.
Loveless, Natalie, “Danica Phelps at Allston Skirt Gallery”, Big Red & Shiny Issue 02, February 2004.
Streitfeld, L.P. “Business not as usual at Uconn.” The Advocate & Greenwich Time, January 11, 2004.
Scheyerer, Nicole. “Kunst Kurz.” Falter 44/04, 2004: S39.
Genocchio, Benjamin. “Biting the Hand That Feeds Them,” The New York Times, December 7, 2003.
Richard, Frances. “Danica Phelps,” Artforum, November 2003: 192.
“Galleries – Chelsea,” The New Yorker, September 29, 2003: 26.
Johnson, Ken. “Danica Phelps,” The New Yorker, September 26, 2003: E36.
Harris, Jane. “Danica Phelps, ‘Integrating Sex Into Everyday Life,’” Time Out New York, September 18-25, 2003: 58.
Cohen, David. “Gallery-Going,” The New York Sun, September 11, 2003: 17.
Levin, Kim. “Voice Choices”, The Village Voice, September 3-9, 2003: 51.
Anderson, Leslie. “Illustrating a journey and saving the receipts.” The Boston Globe July 3, 2003: Cal-1.
Harris, Michael. “Arts & Life; Artist’s barter system answers questions of commercial work,” The Vancouver Sun, June 28, 2003: F8.
Smith, Roberta, “When Exhibitions Have More to Say Than to Show.” The New York Times, April 13, 2003: 31.
Phelps, Danica. “Lunch with the Editor.” Cabinet, March 2003: Subscription Card.
Douglas, Sara. “Living inside the grid: New Museum for Contemporary Art,” The Art Newspaper, No. 133, February 2003.
Editors, Neue Ruhr Zeitung, December 4, 2002.
Editors, “Train to Essen”, Coolibri, December 2002: 68.
hms. “Danica Phelps.” Heinz Essen November 2002: 42.
Linke, Rosalija. “Danica Phelps.” Sterz November 2002: 34-37.
Dressler, Christiane. “Die Kunst der Nachten Tatsachen.” November 2002: WES 05.
Levin, Kim. “Bootleg Identity.” The Village Voice July 23, 2002: 76.
Valdez, Sarah. “Bootleg Identity,” Time Out New York, June 27- July 4, 2002.
Gioni, Massimiliano. “New York Cut Up.” Flash Art June 2002: 79.
Rosenberg, Karen. “Copy Cat.” The Village Voice May 7, 2002: 63.
Moore, Alan. “Materialist Memoranda.” Artnet.com May 6, 2002.
Levin, Kim. “Voice Choices.” The Village Voice, April 30, 2002: 78.
Cotter, Holland. “Danica Phelps.” The New York Times, April 26, 2002: E33.
Dannatt, Adrian. “Free art-as in unpaid.” The Art Newspaper, No. 124, April 2002: 18.
Heartney, Eleanor. “Brooklyn! at Palm Beach ICA.” The New York Times April 2002: 157.
Speh, Scott. “Hot Commodities.” Spring 2002, Issue 15.
Vidal, Juame. “Dos Exposiciones en la Sala Montcada Penetran en lo Privado.” El Pais, February 10, 2002.
Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni and Ali Subotnick, eds. Charley 02. Les Presses du Reel, Dijon, France 2002.
Dannatt, Adrian. “YBAs (Young Brooklyn Artists),” The Art Newspaper, No. 118, October 2001.
Caniglia, Julie. “Danica Phelps at LFL Gallery.” Artforum May 2001: 179.
Fels, Sophie. “Goings on About Town.” The New Yorker March 26, 2001: 22.
Thompson, Chris. “Domus Operandi.” The Portland Phoenix March 16, 2001.
Cotter, Holland. ”For Hikers Seeking Art, Brooklyn is a Left Bank.” The New York Times December 15, 2000.
Hoff, James. “The Art is in the Details.” Daily Hampshire Gazette, February 17, 2000.
Vidal, Juame. “El Arte de la Normalidad.” Arte, February 2, 2000: 50.
Volk, Gregory. “Danica Phelps at Jack Tilton.” Art in America July 1999: 96.
Smith, Roberta. “Conceptual Art: Over And Yet Everywhere,” The New York Times, April 25, 1999.
Levin, Kim. “Voice Choice: Danica Phelps,“ The Village Voice, December 18-25, 1998.
Halle, Howard. “Danica Phelps, Funny Money,” Time Out New York, December 17-31, 1998: 106.
Johnson, Ken. “Danica Phelps, Funny Money,” The New York Times, December 11, 1998.
Cotter, Holland. “A Tour Through Chelsea, The New Center Of Gravity,” The New York Times, May 15, 1998.
Bibliography: Publications
A Book of Ds. New York: Volume Editions and Zach Feuer Gallery, 2005.
Augaitis, Daina. For the Record: Drawing Contemporary Life. Vancouver, Canada: Vancouver Art Gallery.
Barreca, Laura. The Enterprise of Art. Palazzo delle Arti Napoli 16 May — 30 June 2008.
Cameron, Dan and Lisa Phillips. Living Inside the Grid. New York: New Museum of Contemporary Art, 2003.
Chu, Ingrid. “Danica Phelps: Artist, Collector, Curator, Spy.” in Subscribe: Recent Art in Print. New York: Center for Curatorial Studies at Bard College, 2003. 76-88.
“Don’t Look.” Contemporary Drawings from the Collection of an Alumna (Martina Yamin, Class of 1958). Wellesley, Massachusetts: Davis Museum and Cultural Center, Wellesley College, 2007.
Every Day Life. Grinnell, IA: Falcouner Gallery, Grinnell College, 2005.
Koransky, Leah. Contemporary Narratives. Saratoga Springs, NY: Skidmore College, 2001.
Makert, Gabriele. Bin Beschaftigt. Bremen, Germany: GAK Gesellschaft fur Aktuelle Kunst.
Nahas and Rush. Brooklyn. Palm Beach, FL: Institute for Contemporary Art, 2001.
Pedrosa, Adriano. Desenhos [drawings]: A-Z. Coleccao Madeira Corporate Services. 208.
Siegel, Katy and Paul Mattick. Art Works: Money. London: Thames & Hudson, 2004.
Scott, Minnie. The Price of Everything…Perspectives on the Art Market, New York: Whitney Museum of American Art and Yale University Press, 2007.
Torres, David. Danica Phelps, Aleksandar Ilic, Ivana Keser. Barcelona: Fundacio “la Caixa”, 2000.
Vida Politica, SALA MONTCADA “la Caixa”, Barcelona, Spain
Weintraub, Linda. EnvironMentalities: Twenty-Two Approached to Eco-Art. Artnow Publications, 2007. 47-51.
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